Artists & Performers
First Nations Consultant
Rose came into her community art’s career later in life, after working for many years as a truck driver, resort cook and a deckhand on the fishboats, as a means of raising three children on her own. Rose came into control of her own life in 2000.
The recipient of the 2009 Vancouver Mayor’s Award recognizing her as an emerging artist in community arts, Rosemary has applied her talents in a variety of situations in the Downtown Eastside and throughout B.C. & the Northwest Territories and into the Yukon.
Rosemary has provided outreach and story consultation for Vancouver Moving Theatre’s In the Heart of a City: The Downtown Eastside Community Play and co-wrote and provided cast hospitality for We’re All In This Together: The Shadows Project.
She is Urban Ink Productions Community Liaison and worked closely with Marie Clements on the CBC radio drama Hours of Water involving 100’s of participants – decades of women who lived and worked in the drowning west coast fishing industry.
Rosemary was associate producer of From Where We Speak (a theatrical bridge of words between two islands created by Penalakut and Galiano Island Aboriginal students).
Rosemary worked as project leader of The Squaw Hall Community Arts Project: A Community Remembers – a documentary film created by youth and elders from an Aboriginal perspective that was created for and within the Williams Lake community by co-producers urban ink and the Twin Fish Theatre Collective (Nelson).
Rosemary has been touring “Women In Fish” throughout B.C. and other parts of Canada. “Women in Fish” has been adapted as a two women touring show.
Rosemary also collaborated with Renae Morriseau and Savannah Walling on the “Story Weaving Project”, a contemporary story of urban Aboriginal life, which she was also project co-ordinator.
Rosemary’s first documentary “We Have Stories” screened in the fall of 2013 at “The Heart of the City Festival” and was also part of “Indigenous Women In Film” Screening / Discussion / Q&A at Liu Institute for Global Issues at UBC in May 2014.
Rosemary has just completed her four-month residency as Vancouver Public Library’s Aboriginal Storyteller in Residence 2014.Since 2015, Rosemary has collaborated with “Vetta Chamber Music” in ongoing projects of cultural reconciliation.
Violinist Jae-Won Bang received her Bachelor of Music and Master of Music in Violin Performance from the Colburn School and Yale School of Music respectively, and Master of Music in Historical Performance from the Juilliard School. In 2012, she was featured on the NEXT Young Artist series on CBC Radio Two with pianist Ryo Yanagitani, as the first artist to be heard on both baroque and modern violins.
Jae-Won has collaborated with Clive Greensmith, Gil Kalish, Ronald Leonard, Rachel Podger, Arnold Steinhardt, and has performed in Weill Hall and Stern Auditorium at Carnegie Hall, David Geffen Hall, Kennedy Centre, Alice Tully Hall, the Greene Space at WQXR, and le poisson rouge. She has also appeared as a Young Artist with Da Camera Houston for the 2015/2016 season. Her teachers include Gerald and Toni Stanick, Robert Lipsett, Ani Kavafian, Laurie Smukler, and Cho-Liang Lin on violin and Robert Mealy, Cynthia Roberts and Monica Huggett on baroque violin. As an orchestral musician, Jae-Won has previously performed in the Winnipeg Symphony Orchestra and the New York Philharmonic. Since the 2016/2017 season, she has been a member of the first violin section in the Vancouver Symphony Orchestra.
Katrina Chitty is a full time violist in the Vancouver Symphony Orchestra. As a native of Langley, BC, Katrina originally began her musical education on the violin at age four. She studied violin for almost two decades, achieving a diploma from the Conservatoire Darius Milhaud in France, followed by a Bachelor’s of Music from Wilfrid Laurier University (studying with Jerzy Kapłanek). To further her musical education, Katrina then made the switch to viola, and completed her Master's degree at McGill University under the direction of André Roy.
As a chamber musician, Katrina has enjoyed a multitude of musical opportunities, including a first-place win at the Canadian Music Competition with her ensemble. She spent a year performing around the world on cruise ships with her quartet, and also has presented numerous chamber concerts with ‘Looking at the Stars’ in prisons across Ontario.
Before joining the VSO, Katrina also enjoyed many years of orchestral freelancing - performing with the Montreal Symphony Orchestra, Toronto Symphony Orchestra, National Ballet of Canada, and Canadian Opera Company. Katrina is now happy to call Vancouver her home. When not on stage, Ms. Chitty serves as a Logistics Officer in the Canadian Armed Forces Reserves.
Pianist Jane Coop was born in Saint John, NB and grew up in Calgary, AB. She studied with Anton Kuerti in Toronto and Leon Fleisher in Baltimore.
At nineteen she won First Prize in the CBC’s national radio competition, and this, along with prizes at competitions in New York and Washington, DC, launched her career. She made recital debuts at Wigmore Hall and Carnegie Hall, as well as performing with the Toronto, Calgary, Victoria and the CBC Vancouver Orchestras. In 1976 she toured the New England States as soloist with Mario Bernardi and the National Arts Centre Orchestra of Canada in Mozart’s Concerto in D minor.
Jane has since played in over twenty countries, in such halls as the Bolshoi Hall in St. Petersburg, the Kennedy Center, Alice Tully Hall, Roy Thomson Hall, the Beijing Concert Hall and the Salle Gaveau (Paris). In Canada she has given concerts from coast to coast to coast. She is one of the few who has remained resident in Canada throughout her career. Commissions from Stephen Chatman, Ramona Luengen and others have been included in both her live performances and her recordings.
Coop’s long-time association with violinist Andrew Dawes, and her more recent partnership with cellist Antonio Lysy, have given her the opportunity to delve into the sonata literature of Beethoven. In summer festivals around the world, she has performed with the Manhattan, Miami, Audubon, Orford, Lafayette, Colorado, Seattle, Angeles and Pacifica String Quartets, as well as with the Los Angeles Chamber Winds, York Winds, and such luminaries as Barry Tuckwell, Jamie Somerville, Martin Beaver, Jeanne Baxtrasser and Michelle Zukovsky. Coop is a faculty artist at the Kneisel Hall Chamber Music Festival, the oldest chamber festival in North America. There she collaborates in performances of much of the chamber music literature for piano and strings, and coaches brilliant young musicians from across the continent.
Her sixteen recordings, three of which have been nominated for Juno awards, have garnered glowing reviews and have been heard on classical radio programs in many countries. In December 2012, Jane Coop was appointed to the Order of Canada, our country’s highest honour for lifetime achievement.
Canadian Violinist David Gillham regularly appears as chamber musician, in recital and as soloist in major cities and venues across four continents. A sought after teacher, Mr. Gillham is an Associate Professor of Violin at the University of British Columbia School of Music and is the director of the Violin Programme at the Domaine Forget International Music Festival and Academy. Mr. Gillham has given masterclasses throughout North and South America, China, Taiwan and South Africa.
Mr. Gillham was for many years a member of the acclaimed Arianna String Quartet (USA) and is a founding member of the Ridge Piano Trio and the violin and piano duo “Gillham-Iinuma”.
In 2002, Mr. Gillham received the Queen Elizabeth II Golden Jubilee Medal in honour of his contributions to the arts in Canada.
Mr. Gillham performs on a Carlo Tononi violin made in 1725, Venice.
Canadian born violinist, Kai Gleusteen started at the age of five years old in his native city, Calgary. Early on, he met with success in national music competitions in addition to receiving top academic awards. Already at a young age, he had the opportunity to study with the most renowned violinists and teachers of his time, including Nathan Milstein, Ivan Galamian, Josef Gingold, Dorothy Delay, and Zakhar Bron. By the age of seventeen, Kai was awarded the top prize in the Commonwealth Concerto Competition in Australia, he had received the prestigious Skene Award in Scotland and had formed his first chamber orchestra: The Group of Twelve.
A strong believer in the musician as a multi-dimensional human being, Kai chose to combine his musical studies with academic pursuits. At the University of Michigan, he studied anthropology, geophysics, and philosophy. He received a Master’s Degree from Rice University under the tutelage of the person who would become his greatest inspiration on both a personal and musical level, the violinist Camilla Wicks.
In 1991, Kai moved to Europe to live in the heart of Western Culture. Paris and Prague were his bases for nine years, allowing him to develop and perform both as a soloist and leader of numerous orchestras. In the year 2000, he won the concertmaster position of the Orchestra ‘del Gran Teatre del Liceu’ and subsequently moved to Barcelona. In 2003, he created the Gran Teatre del Liceu Chamber Orchestra and was appointed professor at the Escuela Superior de Musica de Catalunya. He continues to perform extensively as a soloist and a recitalist throughout Europe and North America and has released numerous critically acclaimed recordings.
In 2011, Kai founded a chamber music festival called Kaimerata Concerts, in which he chooses one composer per season and shares his knowledge and passion of the works with the audience by explaining, demonstrating, and performing the selected works. After eleven successful seasons in Spain, Kaimerata Concerts has now a second home on Denman Island in the summer.
Kai plays on a violin made by J.B. Guadagnini in 1781.
Marcus Goddard is an award-winning composer and internationally respected trumpet player whose music has touched the hearts of audiences around the world. His catalog of over fifty works includes ten pieces for large orchestra, many frequently performed chamber works, and a large body of innovative work for solo instruments and electronics. Goddard is the Composer in Association and Associate Principal Trumpet with the Grammy and Juno Award-winning Vancouver Symphony Orchestra in British Columbia, Canada.
Described by New York Times critic Anthony Tommasini as “atmospheric” and by the CBC’s Bill Richardson as possessing a “shimmering, translucent, winning eloquence”, Goddard’s work is routinely praised by musicians, audiences, composers, and critics alike. Goddard’s unique ability to connect across these lines has led to frequent performances of his works. His quartet Allaqi, which was commissioned for the St. Lawrence String Quartet by Chamber Music Kelowna and CBC Radio, was recorded by the St Lawrence Quartet received the 2011 Western Canadian Music Award for Best Composition. Allaqihas been performed nearly one hundred times by quartets across North and South America, including performances at Carnegie Hall, the New World Center, and the Banff International String Quartet Competition. The work has been a staple of the Astera String Quartet’s repertoire in its recent first place performances at the M-Prize, Fischoff, and Saint Paul String Quartet Competitions. The Archytas Quartet recently recorded an album dedicated to Goddard’s chamber music for strings featuring Allaqi; Wind, Sand and Stars; and his newest string quartet, Three Wings.
Goddard has been the recipient of fellowships from the Spoleto Festival and the National Orchestral Institute. While completing a Master’s degree at Indiana University he was awarded the coveted Performer’s Diploma and performed Edward Gregson’s Trumpet Concerto as the winner of the Concerto Competition. Goddard graduated magna cum laude with a bachelor of music degree from the University of Michigan. His major trumpet teachers include John Rommel, Charles Daval, Armando Ghitalla, Chris Gekker, Louis Ranger, and Jeff Stempien. He has attended seminars with John Corigliano, William Bolcom, Philip Glass, and Krzysztof Penderecki and his major composition teachers include David Dzubay, Marta Ptaszynska, Steve Rouse, and Claude Baker.
David Harding has an extensive solo and chamber music career, having performed throughout Europe, the United States, Canada, Central America and Australia, in such renowned venues as Berlin’s Philharmonie, the Beethovenhaus in Bonn, Amsterdam’s Concertgebouw, and New York’s 92nd Street Y and Metropolitan Museum of Art. Noted for his “eloquent viola playing”, David has performed at music festivals around the world, including the Edinburgh International Festival, Ottawa International Chamber Music Festival, Seattle Chamber Music Society, Sitka Chamber Music Festival, Australian Festival of Chamber Music, and Philip Glass’ “Days and Nights Festival” in Big Sur, California. David’s career has involved collaborations with leading instrumentalists and ensembles such as the Pacifica, Shanghai, Cypress, Dover, Fine Arts and Miro Quartets as well as the Gryphon Trio. David was formerly a member of the Toronto String Quartet and the Chester String Quartet as well as the Canadian string trio “Triskelion.” With his wife, flutist Lorna McGhee and harpist, Heidi Krutzen, David is a member of Trio Verlaine.
David’s live performances have been broadcast on CBC Radio (Canada), BBC Radio 3 (UK), NPR’s ‘Performance Today’ (USA), ABC (Australia) and Deutschland Radio. David has recorded two CDs with Trio Verlaine; “ Fin de Siècle, the music of Debussy and Ravel” and “Six Departures” featuring works by Bax and Jolivet alongside new commissions by R. Murray Schafer and Jeffery Cotton. “Six Departures” was chosen to be CBC Radio’s ‘Classical CD of the Week.’ Other recordings include Philip Glass’ String Sextet and Schoenberg’s “Verklärte Nacht” on Orange Mountain Records, Bach’s “Goldberg Variations” with the string trio Triskelion for CBC records, the music of Aaron Jay Kernis with the Chester Quartet, and Brahms’ Viola Sonatas with pianist Phillip Bush for Skylark Music.
In addition to performing the core chamber music literature, David enjoys working closely with composers on new commissions and has helped to expand the repertoire for viola with four solo commissions, and five chamber music commissions to date. In collaboration with Philip Glass, he has worked on interdisciplinary projects with poets Jerry Quickley, Mike Garry, and kora player, Foday Musa Suso. David has worked alongside rock musicians in studio sessions, and arranged the string tracks for the Juno-winning, Grammy-nominated album “Mad Mad World” by Tom Cochrane. Prior to joining the Chester Quartet and embarking on a chamber music career, David was Assistant Principal Viola of the Canadian Opera Company, and performed and recorded with renowned early music ensemble, Tafelmusik.
David is currently Professor of Viola and Chamber Music at Carnegie Mellon University, Pittsburgh. He has given masterclasses throughout North America, and was formerly Associate Professor of Viola at the University of British Columbia, and with the Chester String Quartet, “Ensemble in Residence” at Indiana University South Bend. A graduate of the Juilliard School of Music and winner of the Sir John Barbirolli Award at the Lionel Tertis International Viola Competition, David’s primary teachers were Tibor Vaghy, Paul Doktor and Emmanuel Vardi. He performs on violas made by Nicolas Gilles, Montpellier, France and Pietro Antonio Della Costa, Treviso, Italy.
Since her debut with the Toronto Symphony, Jane Hayes' concerts have taken her across Canada, the United States, Europe and Mexico. An active recording artist, she has over 20 CDs available on the Fanfare, EMI, Centrediscs, ATMA, Artifact, CBC-Musica Viva and CBC SM5000 labels. Jane moved to BC in 1993 to become a faculty member in the newly opened Music Department of Kwantlen Polytechnic University in Langley. Her passion for teaching was recognized when she received the 2015 Distinguished Teaching Award in the Faculty of Arts. Jane enjoyed a year-long sabbatical in 2017-2018 when she devoted her energy to two main projects: researching possibilities for long-distance music education in northern BC; and giving a series of recitals and master classes at universities and private music schools in the Henan and Guangdong provinces in China to foster professional development among Chinese piano professors. As a result of her work in China, she was appointed Guest Professor at Henan Polytechnic University. After 27 years, Jane has officially left Kwantlen to focus on her performing and mentoring passions.
In recent years she has appeared regularly on concert stages in every combination from duo through large ensemble, as soloist with orchestra to chamber collaborator. She has been a partner of such esteemed artists as cellist Harvey Shapiro, violinist Robert Davidovici, and flutists Julius Baker and Bonita Boyd among others. She is a founding member of Vancouver’s Turning Point Ensemble, the Yarilo Ensemble and Sea and Sky (violinist Joan Blackman; clarinetist François Houle; saxophonist Julia Nolan). This season’s highlights will include presentations of the complete Beethoven Cello Sonata Cycle with Pamela Highbaugh Aloni of the LaFayette Quartet along with several livestream and video performances around the province.
Yiyi Hsu is a dedicated musician and a young emerging professional. She holds a Bachelor’s of Music in Violin Performance from the University of British Columbia - School of Music and will be completing the Artist Diploma in 2023. She has been a student of David Gillham for the past several years, studying both violin and chamber music.
Yiyi is an avid chamber and orchestral musician. In addition to serving as concertmaster of the UBC Symphony Orchestra on several occasions, she is a member of the Somerset Quartet, the quartet in residency at the UBC School of Music. Yiyi is very receptive and plays with vigour, enthusiasm and intelligence. She was a participant at The Domaine Forget Music Festival and Academy in Charlevoix, Quebec, the Hammelburg Violin Academy in Germany and the Vancouver Symphony Orchestra Institute.
Organist and harpsichordist Christina Hutten has presented recitals in Canada, the United States, and Europe, including performances in concert series hosted by the Oude Kerk in Amsterdam, the Hooglandsekerk in Leiden, Early Music Vancouver, the Universities of British Columbia and Calgary, and others.
She performs regularly with Pacific Baroque Orchestra and has appeared as concerto soloist with the Okanagan Symphony, the Vancouver Academy of Music Symphony Orchestra, and the Arizona State University Chamber Orchestra.
Christina is also an enthusiastic teacher. She coaches and coordinates the early music ensembles at the University of British Columbia and has given masterclasses and workshops at institutions including Brandon University, the University of Manitoba, Wilfrid Laurier University, Canada’s National Music Centre in Calgary, and the Tafelmusik Baroque Summer Institute.
Funded by a generous grant from the Canada Council for the Arts, she pursued historical keyboard studies in Europe with Francesco Cera, François Espinasse, and Bernard Winsemius. She participated in the Britten-Pears Programme, led by Andreas Scholl and Tamar Halperin, for which she was awarded the Loewen Prize.
Christina obtained a Master’s Degree in Organ Performance from Arizona State University under the direction of Kimberly Marshall and an Advanced Certificate in Harpsichord Performance from the University of Toronto, where she studied with Charlotte Nediger. She is now a doctoral candidate in musicology at UBC.
Originally from Nanaimo B.C. Amy earned her Bachelor of Music degree from the HARID Conservatory in Boca Raton Florida, and her Master of Music degree from the Cleveland Institute of Music.
Prior to the arrival of COVID, Amy was delighted to be in her first season as Principal cellist in the Hamilton Philharmonic Orchestra. She played regularly with the Toronto Symphony Orchestra, as well as with the National Arts Centre Orchestra, the Canadian Opera Company, the Windsor Symphony, Niagara Symphony, Thunder Bay Symphony, and also held a six-month contract with Symphony Nova Scotia in Halifax.
In 2011/12 Amy served as acting principal cello in the Victoria Symphony and taught at the Victoria Conservatory of Music, and again joined the orchestra playing principal cello for the second part of their 2016 season. Amy is an active chamber musician, and was a member of the Madawaska String Quartet, specializing in the performance and cultivation of contemporary works. Amy has also been the solo cellist in numerous major musical theatre productions, most recently “Hamilton”.
Beyond the strictly classical music genre Amy has worked with Toronto’s Art of Time Ensemble, SoulPepper Theatre Company, Toronto Dance Theatre, the Stratford Festival and Music in the Barns. She has performed or recorded with leading artists including Stevie Wonder, Blue Rodeo, Jesse Cook, The Barenaked Ladies, Jim Cuddy, Steven Page, Sarah Slean, Molly Johnson, Royal Wood, Amelia Curran, Donovan Woods, and played a Canadian tour with Blue Rodeo including a performance in the JUNO’s.
Amy has played in music festivals around the world including the Spoleto Festivals in Italy and in Charleston, The National Orchestral Institute, the Banff Arts Festival, Musica Nel Chiostro in Tuscany, Cork Opera Festival Ireland, COSI festival in Italy, the Northern Lights Festival in Ajijic Mexico, Festival of Sound in Parry Sound, the Phil Dywer Music Festival in Qualicum BC, Salt Spring Chamber Music Festival, Tafelmusik’s Winter Institute, and also toured China with her cello quartet.
On the positive side of the reconfiguration this pandemic has caused in her life, Amy is now happy to call Vancouver Island home once again and is thrilled to be joining Victoria Baroque this season. Amy plays on a Jean-Baptiste Vuillaume cello.
Molly MacKinnon is a violinist and collaborative artist based on the unceded territories of the Coast Salish people. Fortunate to grow up in the thriving arts community of Nelson, BC, Molly studied with former Vancouver Opera Orchestra and CBC Radio Orchestra violinist Wendy Herbison before moving to the coast to continue her studies at the University of British Columbia.
Molly has developed a strong passion for theatre and interdisciplinary work. She has been featured in a number of productions including The Idiot (Neworld Theatre/VMT), STATIONARY: A Recession-Era Musical (Delinquent Theatre), The Tempest (Bard on the Beach), The Night’s Mare (Caravan Farm Theatre), Les Filles Du Roi (Urban Ink), Double Happiness (Music on Main), and most recently, a digital run of Good Things To Do (Rumble Theatre). Along with playwright Christine Quintana, Molly is the creator of Never The Last, a genre-bending theatre/concert piece based around the life and work of 20th century Canadian composer and violinist Sophie-Carmen Eckhardt-Gramatté, which received five Jessie Richardson Theatre award nominations, and won in the Special Achievement Award category for outstanding interdisciplinary collaboration.
Originally from Manitoba of Saulteaux and Cree descent, Renae Morriseau has called Vancouver's Coast Salish shores her home for 30 years. A producer, writer and director of award-winning television documentaries and theatre productions, Morriseau is also a talented musician with the Indigenous women's hand-drumming group, M'Girl. She received the 2015 City of Vancouver Mayor's Arts Award for community engaged arts for her work cultivating social justice and inclusiveness through theatre and music. Renae is honoured to have received cultural teachings through social and ceremonial songs and stories with the Secwepemc, Okanagan, Nlaka’pamux, Cree and Anishnaabe peoples. She continues to work with First Nation communities in B.C. and Manitoba to share stories of resilience, healing and the importance of Indigenous language and cultural worldview.
"Une pianiste pas comme les autres.” These were the words of Pierre Petit, the well-known critique of the Figaro, after a performance of Catherine Ordronneau.
Although she performed her first solo concert at age 12, it is only when she turned 18 that she decided to devote herself entirely to music, receiving guidance from French pianist François-René Duchâble and the pedagogue Monique Deschaussées, herself a student of the great Alfred Cortot.
After receiving the highest distinction in academics, and the prize of the “Foundation Lefébure,” she chose to avoid international competitions in order to develop an eclectic repertoire and grow as a thoughtful and well-rounded musician. Being a lover of literature and nature, she delivers “mesmerizing interpretation allied to a total musical integrity.” (The Times)
She performs extensively in North America, Europe and China. She was invited to play as a soloist with the Saint Louis Symphony, the Bay Atlantic Symphony, the Toronto Sinfonietta, Orchestra of the Gran Teatre del Liceu in Barcelona, the Lublin Philharmonic in Poland, and the Lebanon Philharmonic Orchestra. Since 2008, she regularly goes to China and has played in the most prestigious halls, including the Oriental Art Center in Shanghai and the Performing Arts Center in Tianjin. She recorded live for CBC Radio, Bravo, TV2 in Spain, Radio France…
She also loves chamber music and takes part in many chamber music festivals. She has worked and performed with Canadian violinist Kai Gleusteen for more than 15 years and their discography includes award winning recordings.
Catherine is professor of piano and chamber music in the Liceu Conservatorio Superior de Música in Barcelona.
Rebecca is a freelance violinist and violist based in Vancouver. Originally from Kelowna, she completed bachelor’s degrees in Violin Performance and Biochemistry at McGill University. She has performed in workshops at the Banff Centre for the Arts, Tafelmusik Summer and Winter Baroque Institutes, Tuckamore Chamber Music Festival and Madeline Island Chamber Music. A three-time alumnus of the National Youth Orchestra of Canada, she was the youngest Canadian musician in the Canada India Youth Orchestra project in Bangalore and is a recipient of the Stephen Sitarski Leadership Award. She performs with chamber and orchestral ensembles in and outside Vancouver, including the Okanagan Symphony Orchestra, and studies baroque violin as part of Early Music Vancouver’s Scholarship Programme and UBC’s Baroque Orchestra Mentorship Program.
Henry Shapard was appointed Principal Cello of the Vancouver Symphony Orchestra in March of 2020, when he was 21 years old. Before joining the VSO, he briefly held the position of Principal Cello of the Rhode Island Philharmonic Orchestra, where he was appointed by the RIPO’s Artistic Adviser—and Music Director Emeritus of the VSO—Bramwell Tovey.
In May 2020, Henry graduated with distinction from Yale University with a degree in History, where he was named Phi Beta Kappa and was awarded the Bach Society Prize, the Sharp Prize, the Selden Memorial Award, and the Berkeley College Arts Prize. At Yale, he was a student of Ole Akahoshi and served as Principal Cello of the Yale Symphony Orchestra, where William Boughton became another important mentor. Henry served as the assistant conductor of the Yale Symphony Orchestra and Music Director of the Berkeley College Orchestra and the Saybrook College Orchestra. He led Low Strung, an all-cello rock group at Yale, on tours to China, Singapore, and across the USA.
Henry is a two-time fellow of the Tanglewood Music Center of the Boston Symphony Orchestra, where he received the Karl Zeise Memorial Cello Award and was selected for a third fellowship as a member of the New Fromm Players, with whom he recorded real-time remote performances during the summer of 2020. He has also performed across Germany and Denmark as a member of the Schleswig-Holstein Festival Orchestra.
Raised in St. John’s Newfoundland, Meaghan completed her undergraduate degree in performance at the Royal Conservatory of Music in Toronto with virtuoso bassist Joel Quarrington. During that time, she also had the privilege of studying with bass legend Gary Karr. Meaghan earned her Konzertexamen with Michael Wolf at the Universität der Künste in Berlin. She also attended the Carl-Flesch Akademie in Baden-Baden, Germany where she studied with Finnish double bass phenomenon Janne Saksala, Principal Bass of Berlin Philharmonic.
Following her studies, Meaghan performed with the Neue Lausitzer Philharmonie in Germany and she was founding member of the Hyogo Performing Arts Center Symphony Orchestra in Japan. Since returning to Canada, Meaghan has performed with ensembles from coast to coast including the Vancouver Symphony Orchestra, Victoria Symphony and the Newfoundland Symphony Orchestra. Meaghan is the Principal Bass of the Okanagan Symphony Orchestra and a member of the Vancouver Opera Orchestra.
A believer in diversity and innovation, Meaghan enjoys working with living composers and expanding the repertoire for double bass. She premiered the Concerto for Cello, Bass, Suona & Dizi by Dr. Ning Wang (Beijing) with the Nu:BC Collective and premiered Placentia Bay: Summer of 1941 for double bass and orchestra by Mark Haney with the Okanagan Symphony in November 2019. Meaghan is a passionate advocate of Canadian design and craftsmanship and performs on a double bass made by Peter Mach (Gatineau, QC) and bows made by Reid Hudson (Duncan, BC) and Max Kasper (Halifax, NS).
Meaghan is grateful to have been supported throughout her career with grants from the Newfoundland and Labrador Arts Council, the BC Arts Council, and the Canada Council for the Arts. She teaches at Capilano University, privately both in person and online, and at the West Coast Amateur Musicians Society course in Squamish, BC, each summer.
Min Jee Yoon
Born in Incheon, South Korea, Min Jee completed her Bachelor of Music degree from the Kyung-won University in Korea and an Artist Diploma from the Vancouver Academy of Music. She participated in masterclasses by distinguished cellists such as Aldo Parisot, Daniel Muller Schott and Desmond Hoebig.
After moving to Canada, she enjoyed two months participating in the NAC’s Institute of Orchestra Studies in the autumn of 2011, which allowed her the opportunity to perform with the National Art Centre Orchestra under the baton of Pinchas Zukerman in Ottawa. She was previously a Section Cellist of the Kitchener Waterloo Symphony Orchestra. Min Jee has also performed regularly as a substitute player with the Vancouver Symphony Orchestra since 2016. She currently holds the position of Principal Cellist with the Vancouver Island Symphony. She has received awards in numerous competitions, including First Prize in the Friends of Chamber Music Competition in 2011 in both the Senior Category and the Audience Prize for cello ensemble. She was also awarded Chamber Open Winner in the 6th Hong Kong International Music Festival Chamber competition in 2019 for Piano Trio.
Joe Trio is not your average piano trio. They don't want to be neatly categorized, but instead strive for diversity, versatility, and more than a little humour and unpredictability. Their repertoire consists of the classics – from Papa Haydn to Uncle Shostakovich, new works by contemporary composers, and their own arrangements of popular, jazz and rock tunes. And they're not afraid to mix together so many styles of music into a single piece it makes your head spin. More than virtuosi, the Trio's members are fantastic performers who engage the audience in a way few classical musicians can. Amply witty, charming, and tremendously musical, Joe Trio leaves audiences with a new appreciation for classical music.
Since Joe Trio was formed in 1989, this classically trained violin-cello-piano threesome has presented hundreds of concerts throughout Canada and the United States. Joe has been heard on National Public Radio in the United States, RTE Lyric FM in Ireland, and on many CBC Radio shows. They record including their own CD releases: A Cup of Joe, Set 'em up, Joe, nominated for Best Classical Performance at the West Coast Music Awards and Cold Cuts. They also joined forces with Canadian broadcaster and writer Stuart McLean when Joe fiddler Cameron Wilson set the music to McLean's "A History of Canada". Cameron Wilson composed the film noir operetta "Supernatural Noir" co-written with librettist Kico Gonzalez Risso which included Joe Trio as the house band for the production. In Smithers, Joe Trio premiered another work by Cameron Wilson, Fragile Magic (the Salmon Symphony) which involved the trio coaching and performing in a weekend of workshops and classes with local string instrumentalists, choirs and first nations drummers.
Cameron Wilson is a violinist/composer currently residing in Vancouver. He is a member of the classical crossover piano trio Joe Trio, the gypsy jazz quartet Van Django, the Hard Rubber Orchestra,Francophone inspired trio Pastiche, Mariachi Del Sol, and Tambura Rasa. His compositions and arrangements have been performed by numerous symphony orchestras and ensembles across North America. He has collaborated with CBC storyteller Stuart Mclean on "A History of Canada" and "I Remember Wayne", and has co-written a film noir opera called "Supernatural Noir" with playright Kico Gonzalez Risso. Most recently he wrote the film score for "The Mary Contest" and was commissioned by the Lyrebird Ensemble from Chicago to write a jazz inspired work for flute and harp.
Allen Stiles was born at the age of three in Bella Coola, BC. The guy is a freelance pianist in vancouver, is a member of the contemporary music ensemble Standing Wave, and a founding member of The Little Chamber Music Series That Could Society. He holds a Masters degree in piano performance from UBC, studying under Lee Kum Sing. He also holds doors open for people. Allen currently teaches at the Langley and Richmond schools of music as well as the Douglas College Community School. He can't brag like Charles 'cause he's never played with rock stars, but he has played a bunch of musicals and operas in his time. Allen currently resides.
Charles Inkman was born at a very early age, and has been playing cello since he was eight. He has a Bachelor music Degree in performance from the University of British Columbia where he studied with Eric Wilson. Charles is a long- standing member of the cello section of the Vancouver Sumphony Orchestra and is on the faculty of the VSO school of music. He is music director and conductor of the North Shore Chamber Orchestra in North Vancouver BC. Recording for movies and television and playing in Broadway musicals keeps things interesting. Charles has played in Joe Trio since 2007.